Jan 302015
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Kirsty MacColl was still in her teens when she wrote and recorded “They Don’t Know.” It should have been a major smash, and in a way it was, peaking at #2 on a UK airplay chart; unfortunately, her distributor picked a horrible time to go on strike, which meant the single never got released, which meant it never placed on the sales-based UK Singles Charts. It took Tracey Ullman’s near-soundalike cover four years later to bring the song into the top ten where it belonged. Kirsty helped out with the backing vocals (that’s her a cappella “BAY-ee-BEE-ee!”), and she never resented Tracey for coming up with the brass ring that in a perfect world would have been hers; instead, she said things like “I don’t mind a bit of reflected glory” and “I’m grateful for (her) paying the rent.”
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Jan 282015
 

When John Fahey-esq acoustic guitar virtuoso William Tyler delivered a covers session for Aquarium Drunkard, most of the choices were understandable ones for a fingerpicker: Ry Cooder, Blaze Floley, and a track from a compilation of rare solo guitar performances. The final one was a left-turn though: Blue Ösyter Cult. Specifically, an obscure track called “She’s As Beautiful As A Foot” from their relatively unsuccessful debut LP. Continue reading »

Jan 272015
 

“She may be young, but she only likes old things. And modern music ain’t to her taste.”

Death Cab for Cutie only released one album, Codes and Keys, during lead singer Ben Gibbard’s brief marriage to She & Him singer, Zooey Deschanel, but that album gave us with the lyric above, from the song “Monday Morning.” The line is likely about Deschanel, and perfectly sums up Classics, She & Him’s new covers record. The selections were all written before the 34-year-old singer was born, and the production (the album was recorded live with an orchestra) does nothing to make these songs sound like they came out any time recently.

For the most part, that’s okay. She & Him is a band that sounds like they belong from another era, so you have to come to their albums with expectations about the song. While it might have been more interesting to hear newer songs performed in the style of older hits, what they give us is still charming in its own right.
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Jan 272015
 

New York native Kiah Victoria is nothing short of an outstanding artist, and after her recent take on Coldplay’s renowned organ ballad, there won’t be many who’d oppose that claim. Having begun her musical pursuits at the age of two and later gone on to perform as Young Nala in the Broadway production of The Lion King at the tender age of ten, it comes as no surprise the degree of talent which she is capable of. A talent she eagerly displays with her take on Coldplay‘s “Fix You.” Continue reading »

Jan 262015
 

There’s not a whole lot of information out there about the artist who goes by Missio. A “Who Is Missio” manifesto on his website does little to answer that question, revealing only that he lives in a 1974 airstream trailer, has an unpleasant history in the music business, and recorded 52 songs already for this new project. What little else I could glean is that his real name is Matthew Brue, he lives in Austin, and he says he aims for “songwriting inspired by minimalistic purism.” Continue reading »

Jan 232015
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The sun must have been approximately eight inches from my forehead as I wound my way through a crush of warm bodies – all of them panting and glistening in the fierce Texas heat. Perspiration beaded and trickled down the damp necks of an expectant crowd; condensation beaded and trickled down their cans of Lagunitas.

With the first loud and clear ring of an electric guitar, a roar arose from the crowd, and Paolo Nutini strutted onto stage at Austin City Limits – shirt unbuttoned like a golden god of 70s rock, tight pants that might have been painted onto his lithe frame, and a tousled mane that exemplified the definition of “sex hair.”

And then, the man proceeded to take us to church.
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