Aug 312009

It’s the last day of August – time to look back at the songs that defined Summer ’09. Admittedly, the “song of the summer” thing always seems to become clearer in retrospect, but in terms of sheer ubiquity it’s hard to beat the Black Eyed Peas’ “Boom Boom Pow.” In fact, the only group that can really challenge them is…the Black Eyes Peas, for the grammatical nightmare “I Gotta Feeling.” Guys, “gotta” is short for “got to,” not “got a.”

Regardless, here are the contenders. My song of the summer is number two. I’d call it a guilty pleasure, except I am proud to walk down the street singing “pa-pa-pa poker face, pa-pa poker face!” If I was singing “I Love College”…well, that’d be a different story.


The Maccabees – Boom Boom Pow (Black Eyed Peas)
This one would be the indisputed song of the summer if the Peas hadn’t challenged their own legacy by providing another contender. In my eyes, they’re both somewhat generic AutoTune pop that, unlike most of these other songs, never get stuck in my head. Perhaps that’s why hearing a version with actual singing is so refreshing. [Buy]

Ben’s Brother – Poker Face (Lady GaGa)
If Weezer’s cover didn’t do it for you, try this infectious acoustic jam. Try not to hit the “repeat” button on your iTunes, I dare you. [Buy]

Ruby Weapon – Two Weeks (Grizzly Bear)
As “indie kids” slowly take over, offbeat left-of-the-mainstream artists like Grizzly Bear can finally begin challenging the Fergies of the world for summer-song glory. They’re not they’re yet, but the gauntlet has been laid. Your move, Katy Perry. [Buy]

Donna, Anna & Ruby – Best I Ever Had (Drake)
Three girls, an acoustic guitar and some beatboxing are all you need to make the summer’s stupidest love song drop the “guilty” from “guilty pleasure.” Plus the new raps – complete with Erykah Badu reference – ups the ante, [Buy]

Run Toto Run – Sleepyhead (Passion Pit)
“Sleepyhead” seems like the perfect title for a summer song. Maybe “Sleepyhead at the Beach with a Margarita” would have been better, but give Passion Pit a break; they’re new. [Buy]

The Gaslight Anthem – I Do Not Hook Up (Kelly Clarkson)
As a huge Gaslight fan, I thought they were above novelty covers. Then I listened to this…and realized I was right. Somehow, against every odd in the book, Brian Fallon needs only an acoustic guitar and his Jersey sincerity to make this one sound like another Springsteen cover. You’ll never hear the original the same way again. For that matter, you’ll never want to hear it again. [Buy]

Matt Toka – I Love College (Asher Roth)
I realize summer songs (like summer movies) are supposed to be stupid, but this one really lowers the bar. I’ve noticed only high schoolers seem to enjoy it. I think that’s because college kids are just embarrassed by it. Asher exploits every stereotype of higher education with the lyrical dexterity of an eight year-old. Then at the end it takes a left turn into some unexpected proselytizing about safe sex. [Buy]

CHAINGANG – Day ‘N’ Night (Kid Cudi)
Well this one’s hard to describe. It’s like shoegaze guitar, metal-dance drums, and a Joan Jett vocalist. But you know what’s truly indescribable? How well it works. [Buy]

Ruby Isle – My Girls (Animal Collective)
I’m one of the few blogger who loathes Animal Collective. Take out all the pretentious blips though and there’s a decent tune underneath this one. Ruby Isle scores the ultimate zinger at the end though: “All I’m trying to say is, social status isn’t really a material thing.” [Buy]

Fightstar – Battlefield (Jordin Sparks)
It was a good summer for American Idol winners. Expect Taylor Hicks’ #1 smash any day now. [Buy]

Aug 302009

Shuffle Sundays is a weekly feature in which we feature a cover chosen at random by my iTunes shuffle. The songs will usually be good, occasionally be bad, always be interesting. All songs will only be available for one week, so get them while you can. After you listen, discuss this week’s tune in the comments.


Randy Newman seems to be the songwriter of choice for over-the-top emotive sings. Linda Rondstadt has covered his songs, and Harry Nilsson has done a whole album of them. So ol’ Bobby Darin, musical slut whose hits range from “Splish Splash” to “Mack the Knife” is unlikely to grasp the subtlety that Newman’s songs require.

And he doesn’t, not really. Every cringe-inducing production flourish is here, from soaring strings to a superfluous gospel chorus (listen to them repeat “Jesus” three lines in for no obvious reason). What redeems this performance, rising it above “Barry Manilow sings the classics” level is simply that a good singer is a good singer, and even singing about the slave trade, Darin’s effortless charm oozes through.

To be honest, I wondered whether Darin even KNEW this song was song by a slave ship captain, recruiting Africans by promising that in American they’ll be “as happy as a monkey in a monkey tree.” Apparently he did though, a socially conscious singer who wanted to begin his first album for Motown records with a statement song.

The release – titled simple Bobby Darin – was the last before his untimely death in 1973. That context renders “Sail Away” with a whole other meaning, one unrelated to slaves, Africans or colonialism, but a gospel song about heaven (for which the singers are far more appropriate). I’m not saying Bobby meant it that way – and Randy sure didn’t – but, as they say, timing is everything.

Bobby Darin – Sail Away (Randy Newman) [Buy]

What do you think? Discuss this song in the comments section below.

Aug 292009

This Week’s News

Cover Me now has a twitter account. Follow us to get the latest cover news and stay updated on posts!

SPIN.com is posting a great series of behind-the-scenes Lollapalooza covers. The third in the series is up: Amazing Baby tackling the dbs.

Fact: Oasis broke up a couple hours ago. Opinion: They’ll be back together within 48 hours. Fact: While you wait, check out the two covers Snow Patrol did at V Fest.

When word first circulated about a possible Bob Dylan Christmas album, I was sure it was a hoax. Well it turns out it’s no joke, and features ten classic covers.

New music video for Colin Munroe’s “Sunday Bloody Sunday.” Truly entrancing.

Whether you’re Patti Smith or Damian Rice, “When Doves Cry” is eminently coverable. Watch Brett Dennan busts out his version.

Death Cab for Cutie’s “I Will Follow You Into the Dark” is getting quite a few covers these days. Here’s another.

Bat For Lashes is releasing a special edition of Two Suns. While it’s a blatant money grab, at least it includes her excellent Cure and Kings of Leon covers.

Speaking of special editions, Fever Ray’s debut 2.0 has two covers itself.

I saw Deer Tick open for Grace Potter and the Nocturnals a few weeks back (read my review) and they closed their set with a raucous “La Bamba.” I assumed it was live-only, but they actually released their version on vinyl and one kind blogger ripped it for downloads.

I’ll admit it: I like Sonic Youth covers more than the originals. This bizarre Scandinavian xylophone version of “Shadow of a Doubt” is particularly fascinating.

Word on the street is that Taylor Swift is busting out a cover of Justin Timberlake’s “What Goes Around Comes Around.” It’s intriguing, but no way it’s as good as Marilyn Manson’s.

“We’ll run away together, we’ll spend some time…” – oh, excuse me, wrong song. This is Islands in the Stream written by the Bee Gees, not Island in the Sun written by the…Wee Gees? Still, Feist and the Constantines is quite a combo tackling it.

This Week’s Submissions

Holmes – Let’s Dance (David Bowie) [more]

My Gold Mask – Bette Davis Eyes (Jackie DeShannon/Kim Carnes) [more]

Quidnunk – It’s Only Rock ‘n’ Roll (But I Like It) (The Rolling Stones) [more]

Tex Perkins – This Little Bird (John Loudermilk) [more]

Aug 272009

Our Shuffle Sunday pick a few weeks ago reminded me of a theme I’d been planning to work up for a while. See, for my senior thesis I researched the phenomenon of Christian rock, otherwise known as Contemporary Christian Music (CCM). I examined the fan base, seeing who they are and why they buy what they buy. During the course of this I was exposed to quite a bit of Christian music, and learned that musically, it’s like any other genre: 90% of it is terrible, the other 10% not bad. Lyrically it spans the gamut from the in-your-face (Larry Norman, Newsboys) to “Jesus is my girlfriend” non-specificity (Amy Grant, Switchfoot).

Here’s some of the not bad, CCM artists covering other CCM artists (mostly). To dispel a few popularly-held beliefs: Creed is not CCM and neither is Evanescence. These are Christians who rock (horribly), but were never part of the CCM community. Know who was though? Sufjan Stevens. So don’t be so quick to roll your eyes. Go below to learn and if you want to check out that thesis, it’s here.


DC Talk – I Wish We’d All Been Ready (Larry Norman)
This was CCM’s first hit, a tune from 1969 by the “Godfather of Christian rock,” the man who the term “Jesus freak” was coined to refer to. The movement started when evangelicals brought a bunch of California hippies into the church. They abandoned free love and drugs, but didn’t want to abandon rock and roll. DC Talk are the biggest Christian hitmakers of the ‘90s – their song “Jesus Freak” is arguable the best CCM song ever – so it’s fitting they pay tribute to their forefather. Even if the lyrics are…well, you’ll see. [Buy]

Relient K – Between You and Me (DC Talk)
DC Talk’s 1995 album Jesus Freak heralded the second coming of Christian music. It sold two million copies to Christians and non-Christians alive, proving that whether one agreed with the message or not this was music to jump to. Relient K currently blur that same line, alternating Christian rock festivals with Warped tour appearances. [Buy]

Jars of Clay – God Will Lift Up Your Head (Trad.)
The more I listen to Jars of Clay, the more I begin to think they may be the best CCM group out there. Great musicians, greater songwriters, and phenomenal interpreters. For their album Redemption Songs they put new music to a dozen old hymns, making them both poppy and emotionally inspirational. [Buy]

Lost and Found – Scars and Stripes (Tim Graf)
The duo that invented speedwood – like speed metal, played on acoustic instruments – tackles a peer’s tune on a b-sides disc released only to fan club members. It’s more complicated lyrically than a lot of CCM tunes, which makes it more interesting. [Buy]

Third Day – Saved (Bob Dylan)
Many readers will know Dylan had a born-again phase, releasing three Christian albums. Needless to say, it’s an obvious source for in-the-know bands like Third Day to tackle. And did I mention Dylan’s coming out with a Christmas album in October? Maybe he hasn’t left the faith after all. [Buy]

Sanctified Glory Mountain Revival Family – Guilty By Association (Steve Taylor)
Ever since the controversy over his tongue-in-cheek hit “I Blew Up the Clinic Real Good” – he blows it up because he’s an ice cream man worried about losing customers – Taylor has been a bit of an outlaw in the world of CCM. Here he’s just as sarcastic as ever, criticizing Christians who think listening to secular music will send you straight to hell. [Buy]

Geoff Moore & The Distance – Why Should the Devil (Have All the Good Music)? (Larry Norman)
This song title could be called the mantra of Christian rock. It’s the quote commonly used to justify a genre that some Christians still object too (check out this site – it’s pretty funny). Well, he clearly doesn’t – this song rocks. [Buy]

Audio Adrenaline – Gloria (U2)
U2 is another band of Christians who rock, but enough of their songs are Biblically informed that there’s a whole Christian rock tribute album to them. Fun fact: many Christian radio stations will only play CCM covers of U2 songs, but not the originals. [Buy]

The Swirling Eddies – Alcatraz (Al Denson)
We heard their DeGarmo and Key cover a couple weeks ago, and this track comes off the same lovingly mocking album that takes the silliest classic CCM tunes and makes them even sillier. Ironically, it also makes them better. [Buy]

Philmore – Living On a Prayer (Bon Jovi)
Bon Jovi is in no way a Christian group, so it’s interesting to see a song you never thought of as religious repurposed. All of a sudden the title has a totally different meaning. [Buy]

Aug 242009

This Week’s News

An important reminder: Entries for our logo design contest are due soon! Since I didn’t get this post up as early in the weekend as I’d like I’m extending the deadline by one day. All entries are now due by Tuesday at midnight. Two more days…get to work, win the prizes!

There’s a new covers blog on the block, but the catch: Jeff is producing all these covers himself! Check it out.

Calling all fellahs: looking for new cover tunes? How about 1,892? Well Esquire, never one for all things in moderation, has a list. Thanks to reader John for pointing it out!

A bit of an older one here I missed the first time through, but check out Amy Milan cover Death Cab for Cutie’s “I Will Follow You Into the Dark.”

Alert! Alert! New covers mixtape from Captain Obvious!

Eels fans! Homeless-look-alike fans! The mysterious E takes on Bob Dylan’s “Girl from the North Country” for MySpace. It’s just about the most gorgeous thing you’ll ever hear.

Who doesn’t love the accordion? Okay, lots of people. Still, it makes for a fun cover.

The Killers do Pink Floyd? Interesting.

Of Montreal’s multi-instrumentalist James Husband is releasing a new solo album. If you order it from Polyvinyl, you get a free covers EP!

Antony and the Johnsons cover Beyoncé, now with music video!

Love Will Tear Us Apart again. And again, and again, and again.

This Week’s Submissions

El Testaferro de los Pordioseros – Street Fighting Man (The Rolling Stones)

Aug 212009

Don’t forget: Logo submissions due Monday! Enter now to win prizes!

When creating this post I wondered whether it was irresponsible to post songs about cocaine. Going through my list though, my worries faded. These songs are uniformly negative! One guy shoots his wife under the influence, another gets locked up in a room with padded walls, and a third wrecks a train. So no arguments about glorifying the rock and roll lifestyle please because, yeesh, sounds terrible.


The Loved Ones – Cocaine Blues (T.J. “Red” Arnall)
I always thought this was a Johnny Cash original. Its badass-itude rivals even “Folsom Prison Blues,” so it truly seems straight out of the darkest imaginings of the Man in Black himself. [Buy]

Sister Hazel – Gold Dust Woman (Fleetwood Mac)
A sitar intro marks this as memorable from the get-go, and it doesn’t disappoint. Doubly appropriate because the original album Rumours basically evolved from one big coke orgy. [Buy]

Ezra Kachi – Crazy Train (Ozzy Osbourne)
Don’t hate on Ozzy. This song has a great tune, some fun lyrics, and a pound-your-fist chorus. The sensitive acoustic take here keeps the first two at least. [Buy]

Bob Dylan – Cocaine Blues (Trad.)
This tune (not to be confused with the Arnall/Cash one above) is clearly a Dylan favorite. It appeared in his early sets, like this New Yoek take from 1962, then reappeared thirty-five years later with a full band arrangement and plenty of harmonies. You can’t beat the finger-plucking in this young-Bob version. [Buy]

Turin Brakes – Moonlight Mile (The Rolling Stones)
According the Robert Christgau this song “re-created all the paradoxical distances inherent in erotic love with a power worthy of Yeats, yet could also be interpreted as a cocaine song.” That’s a bit of a leap (though many have made it), but this lonesome duet is worth posting. [Buy]

Michael Franti & Spearhead – Casey Jones (Grateful Dead)
A live one from back in May, Franti makes Mountain Jam’s Deadheads wet themselves with a brief reggae-fied snipped of one of the Dead’s few actual hits. [Buy]

Minus 5 – That Smell (Lynyrd Skynyrd)
This one’s about just about every drug there is, and sounds like a D.A.R.E. ad campaign. The stripped-down slow burn highlights the almost comically serious lyrics. [Buy]

The Bobs – White Room (Cream)
For some reason an a cappella group singing a tune about a guy freaking out on cocaine and heading to an insane asylum (probably) strikes me as amusing. The fact that they knock it out of the park – complete with a “While My Guitar Gently Weeps” vocal solo – comes as a nice addition. [Buy]

Scott D. Davis – Master of Puppets (Metallica)
It’s instrumental cover-piano by the master of the genre (well, him and Christopher O’Riley) and as such you might miss the reference. So here it is. “Needlework the way, never you betray / Life of death becoming clearer / Pain monopoly, ritual misery / Chop your breakfast on a mirror.” [Buy]

Eric Ambel & the Roscoe Trio – Cocaine Eyes (Neil Young)
Ambel earned his keep shredding for Joan Jett’s Blackhearts Steve Earle’s Dukes , so it’s not surprising the man’s a Neil Young fan. He does grunge-blues as well as the Man in Flannel himself. This comes from the excellent More Barn tribute album. [Buy]

Shuffle Sundays is a weekly feature in which we feature a cover chosen at random by my iTunes shuffle. The songs will usually be good, occasionally be bad, always be interesting. All songs will only be available for one week, so get them while you can. After you listen, discuss this week’s tune in the comments.


“I Use the J-Word?” What the heck is the J-word? Well I won’t tell you directly, but let’s just say this is a Christian rock song.

Wait, wait, don’t close this window! I know, Christian rock isn’t the most popular topic on blogs, but the story behind this one is pretty good. DeGarmo and Key came to the fore of the Contemporary Christian Music (CCM) scene in the ‘80s as the Christian equivalent of Hall & Oates. Now don’t think they fought that label; they self-consciously tried to sound as close to the “Maneater” hitmakers as possible, to lure secular fans away from secular rock with songs like “God Good, Devil Bad.”

I suppose they succeeded in one regard – their music sounds just as dated today as Hall and Oates’! Rife stuff for, as the Brits would say, taking the piss.

Enter the Swirling Eddies. A CCM band themselves, they take things far less seriously than DeGarmo and Key. Their biggest hit? “Hide the Beer, the Pastor’s Here!” Now this is a Christian rock group we can all get behind.

Their 1996 covers album Sacred Cows does just what one does with sacred cows: tear them down. The cows in question are classic CCM hits, from Amy Grant’s insipid “Baby, Baby” and DC Talk’s look-how-street-we-are “I Luv Rap Music.” Embarrassing stuff, well worth a bit of ridicule.

The amazing thing is though, even as the Eddies mock these songs, they make them sound pretty good. For these jabs are all in good fun; this album’s subtitle is “The Songs That Helped Us” after all. The tune starts out with some classic rock guitar licks and plenty of cowbell, a ZZ Top stomper railing against MTV keeping Christian music down.

The lyrics reflect the over-the-top evangelicalism of the Moral Majority decade. “They told us we were fascist / Cause we made it clear and plain / That the only trip to heaven / Is through a five letter name.” Methinks DeGarmo and Key were listening a little too closely to Hall & Oates, because if that song is trying to convert anyone it sure seems “Out of Touch.”

The song may not be subtle, but it is catchy. The Eddies delicately walk the line between homage and mockery. It probably won’t make you want to run out and hear the original, but it’s fun as hell. Or, as the case may be, heaven.

The Swirling Eddies – I Use the J-Word (DeGarmo and Key)

What do you think? Discuss this song in the comments section below.

Aug 142009

This Week’s News

It’s been quite a week here at Cover Me, so you’ll excuse me for starting with a round-up of the events. First of all, we have a contest to replace that ugly blogger-default header! So any Photoshop wizards or aspiring artistes, check out how you can help out, design a logo, and win free stuff! If you need inspiration, there are ten art-themed tracks to get the creative cells flowing. The deadline for submissions is Monday, August 25.

Also, let’s not forget Shuffle Sundays, the new feature we debuted last week! What did you think? Let us know in the comments.

Finally, it looks like the Broken Chimneys will be tackling Springsteen’s “For You” for this month’s Cover Commissions. Can’t wait to see what Adam comes up with – check back in a few weeks to hear the results.

James Eric was our first Cover Commissions artist earlier this year, giving us top-notch versions of Devo’s “Beautiful World” and MGMT’s “Time to Pretend.” Covering single songs is no longer enough for him though; now he’s covered all of Wilco’s Yankee Hotel Foxtrot with Erin Fogel!

Where my Ben Harper fans at? Don’t be ashamed, you know who you are. His album White Lies for Dark Times with the Relentless7 only came out in May, but it’s already gotten the full-album treatment as well!

Speaking MGMT, I attended All Points West a couple weeks ago. Though I ditched the MGMT set, apparently they covered The Clean’s “Anything Could Happen,” a video of which is now up at Stereogum.

I posted about Neil Nathan’s excellent covers EP months ago, but now his take on ELO’s “Do Ya” has a video. And a soundtrack inclusion! Great job Neil.

The music world lost a legend yesterday, hitmaker and electric guitar pioneer (and de facto inventor) Les Paul. Never one to waste time, Brian over at Coverville already has a tribute to the legend up.

A Supergrass cover album is cool, and with Nigel Godrich the Radiohead producer behind the boards it stands to be legendary.

I love A Place to Bury Strangers, having seen them twice and interviewed main man Oliver Ackermann once. I always wanted to hear them do a cover, since I thought their “loudest band in New York” shoegaze would make that impossible. I was wrong.

Built to Spill played Siren Fest along with A Place. Their set got pretty weak reviews. Perhaps if they’d played “Paper Planes” or “Edit the Sad Parts” things could have picked up.

Buzz is heating up about The XX, which makes this a perfect time to link to their Aaliyah cover.

Bradford Cox is the indie blogosphere’s wet dream all by himself, but when the Deerhunter man’s new band Atlas Sound covers Fleetwood Mac, the internet may explode.

This Week’s Submissions

Autorotation – For a Friend (Communards) [more]

The Bewitched Hands on the Top of Our Head – Rapper’s Delight (Sugarhill Gang) [more]

Greg Laswell – Killing Moon (Echo and the Bunnymen) [more]

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