Billy Joel

Posted by Ray Padgett at 9:49 pm 2 Responses »
Feb 262009

The voting for Cover Commissions: James Eric is over, and Devo’s “Beautiful World” took it! Keep checking back here for the exclusive debut of James’, and be sure to stop by next Thursday for more exciting cover news! (Not sure what I’m talking about? Catch up here.)

For some reason, while the indie cover world has jumped on the singer-songwriter bandwagon, making supposed has-beens like Bob Dylan and Bruce Springsteen “cool” again, it’s still embarrassing to like Billy Joel. Maybe it has something to do with the fact that, unlike the previous two he stopped putting out music years ago, but that’s no reason to knock his old tunes. Whatever the reasons, Billy Joel covers that aren’t sappy lounge-jazz mush are hard to come by. After some digging, here’s a few.

Anders Holst – All About Soul
This one showed in my inbox a month or two ago, and inspired this post. It starts off jazzy, but quickly goes world-folk in one of the most sincere and pleasant covers I’ve heard in a while. [Buy]

Matt Wilson – She’s Always a Woman
Joel has written some drippy love songs, it’s true, but Wilson gives this one some bite in a tumult of grunge force. [Buy]

The Forms – We Didn’t Start the Fire
Putting the political and cultural history of the latter half of the twentieth century in under five minute may be one of Joel’s greatest triumphs. Making it not only catchy, but a massive hit? Even better. The tune’s wikipedia page meticulously documents all the references, and I’ve heard of high school history classes using this song as a jumping off point. [Buy]

Nature Quest – Vienna
Nature Quest (who?) has a whole album of instrumental Joel tunes called Billy Joel Naturally where they take on some classic rarities with a little more spice than the normal The [Genre] Tribute to [Artist] disc. Even if it does veer towards easy-listening sometimes, it’s tastefully done arrangements. [Buy]

Nerve – Uptown Girl
This sort of pop-punk cover is generally the domain of Me First and the Gimme Gimmes; they’ve even done a similar version of this song. Nerve’s take pushes it to the next level, a little more raw, more unrehearsed, more on the verge of collapse (if it hasn’t already). Aggressive but fun, it’s if the Sex Pistols took on Billy Joel. The Sex Billys? [Buy]

Braid – My Life
“Is this thing on or what?” I clustered this with Nerve since it’s another raw rock cover. This one breaks the song down though with unusual pauses, cadences, breakdowns and general mayhem. Play it through some shitty laptop speakers to get the full experience. [Buy]

Rebecca Elliot – You’re My Home
Soulful and solo, Elliot’s take on one of Billy’s more saccharine song comes from a Teach for America fundraiser you should support. Quick question though: What the hell is an instant pleasure dome, and is it supposed to sound that dirty? [Buy]

Hussalonia – All For Leyna
My favorite Billy Joel album has always been Glass Houses. It’s rocking, it’s upbeat, and it’s free of the drippy mush he has a propensity for. So imagine my delight to discover that a band had covered the whole damn thing for our friends over at Coverville. It’s all for free download here, and sounds great! Glad I’m not the only one who loves this disc. [Buy]

After the Fire – Only the Good Die Young
Solo acoustic covers of songs are generally the easiest to find, so it’s a bit shocking that this is the only one that shows up in this post. This comes from Australian radio station Triple J’s “Like a Version” feature, where artists perform random covers that they’ve put out on four discs. Check ‘em out. [Buy]

Yo La Tengo – You May Be Right
In calling their cover album Yo La Tengo Is Murdering the Classics they may be right, they may be crazy, but the story behind these tunes is fun indeed. As a fundraising gimmick for a New Jersey radio station, for three years they let they let donors request a song they would attempt. They forget the words, throw other songs in their, and generally just jack around, but it’s fun stuff. [Buy]

Feb 192009

Hello cover lovers! It’s an exciting day here at Cover Me, for we are debuting a new series. For over a year now I’ve been bringing you covers from all over the interwebs, passing along the best and the strange, the gorgeous and the goofy. However, I’ve been thinking, why be content as a middleman? Why not offer some original content? Since I have no musical talent myself (you know, the old critic as failed musician thing), it’s time to start recruiting people with actual talent. So let me present…Cover Commissions, Volume 1.

Here’s the gist. Every month we will present to you an artist, one who’s probably showed up on the blog before, one whom I feel has a lot to offer cover-wise. Said artist has signed on to produce a special, never-before-heard cover for Cover Me. A commissioned work minus the money. What song will be covered? Well that depends on the artist, but as often as possible, the song choice is up to you! Read on (and if you’re an artist interested in hopping aboard, email me!)


So without further ado allow me present this month’s artist, the man to kick off Cover Commissions: James Eric. You’ve seen James here before, covering Sigur Rós and Justin Timberlake. However, those just scratch the proverbial surface of the covers machine that is James Eric. He’s got dozens on his website, and now he’s signed on to produce a special cover for us!

What song, you ask? Well, this is where you come in. To the right you’ll see a poll of ten songs that James and I came up that he could cover for us. Cast your vote and within a week or two a brand-new cover of the winning tune will be up for your enjoyment! Without further ado…drum roll…here are your options!

Lily Allen – Everybody’s At It
Devo – Beautiful World

The Hold Steady – Slapped Actress
Justice v. Simian – We Are Your Friends
Gladys Knight & the Pips – Midnight Train to Georgia
MGMT – Time To Pretend

Patti Smith – Land

Vampire Weekend – M79
Tom Waits – Misery Is the River of the World

Stevie Wonder – Signed, Sealed, Delivered

There you have it. Ten songs, both indie and classic, but there can only be one winner. Before you vote though, do your research! For starters, head on over to James’ site and listen to some of his other covers (I’ve linked a few below). Then track down any of the original songs you may not know. They should mostly be available at the Hype Machine (do a search, then click the “Read full post” link if there isn’t a play button) or, barring that, Free Napster (search by track). Which would work best with James’ style? Which would be fun to have a cover of? Cast your vote and if you’re so inclined, post a comment explaining your choice. Also, if you have a better name for this feature that Cover Commissions, I’m open to suggestions.

You have one week to vote, so hop to it! To help you along, here’s a few samples.

James Eric – Mrs. Officer (Lil Wayne)

James Eric – Dreaming (Blondie)

James Eric – Reservations (Wilco)

Feb 162009

I’ve heard a lot of covers, but every now and then a song comes along so bizarre I think, no way anyone could cover that. In every case, I turn out to be wrong. It seems musicians can take even the strangest, most idiosyncratic music and remake it in their own image. Let me present…the (not quite) uncoverable.

Neil Cowley Trio – Revolution 9 (The Beatles)
The ultimate in uncoverable (well, after Metal Machine Music…which, incidentally, an orchestra covered). The original is just random noise with some idiot saying “number nine” incessantly. When MOJO wanted to put together covers of all tracks on the White Album, I would have thought they’d given up upon remembering ol’ #9. But no, they persevered, and came up with a funky jazz cover that, unlike the original, doesn’t sound like ass. [Buy]

Alan Licht – Lonesome Valley (Trad.)
The tag says “Trad,” but there’s a lot more to the story. Licht, of avant-garde free-jazz groups like Lovechild and The Blue Humans, describes the history of this track: “Run On’s David Newgarden had played me a CD of hollerin’ contests from North Carolina, so I went about coming up with chord progressions to play behind the recordings of the weird a cappella, howling melodies.” Hollerin’ is a lost art of yelling, communicating messages in wordless yelps. It’s bizarre stuff, and can be explained better here. [Buy]

James Eric – Untitled #1 (Vaka) (Sigur Rós)
The music of angels, Sigur Rós has a sound all their own. Airy, spacey songs that float by sung either in Icelandic or a made-up language (for most of us there’s little difference), their music is entrancing, enticing, and as idiosyncratic as can be. Shockingly, however, there are a few Sigur covers out there, all quite good. I chose this one because (spoiler alert) you can expect to see more of Mr. Eric here in the very near future. [Buy]

Vienna Teng – Idioteque (Radiohead)
Radiohead is a commonly covered band, but some songs lend themselves better to covers than others. The original for this “tune” features such an idiosyncratic drum loop one wonders how to reinvent it. Teng hints at the pattern, but brings out the melody as a folksy tune with (gasp) harmonies! [Buy]

Violent Femmes – Step Right Up (Tom Waits)
Quite a few Tom songs could fit in this uncoverable category, but this tuneless huckster bark goes right up there. Tom’s six-minute infomercial for dozens of questionable products, “Step Right Up” find the Femmes adding in some more free-jazz background and bizarre vocal contortions to sell you their shit. Don’t be caught with your drawers down! [Buy]

Patti Smith – Smells Like Teen Spirit (Nirvana)
“What’s this doing here?” you’re wondering. “It’s one of the most easy-to-cover rock songs there is because of that damn riff.” It’s true; the riff puts it just after “Smoke on the Water” as a popular hook to inspire teens everywhere to pick up an axe. The vocals come second; you know the riff, you can play the song. Smith does the unthinkable though, putting out a version of the tune without the riff! The fact there even is a song without the riff is the real shock, much less that it’s such a good one. [Buy]

Mersault – Westward Ho (Moondog)
There are some unusual stories in music, but it doesn’t get much more bizarre than Moondog. Where to begin? For one, he was a homeless guy. Who only wore homemade clothes. That he designed to look like the Norse god Thor. Including a horned helmet. The strangest thing of all though, was that this “Viking of 6th Avenue” produced gorgeous off-kilter melodies, largely using his own invented instruments. Needless to say, not an artist you’d expect to find a lot of covers of, especially of a song that only has one line. [Buy]

Jars of Clay – Jesus’ Blood Never Failed Me Yet (Gavin Bryars)
Ina little mini-theme here, this is the second recording of a homeless guy. Bryars heard a recording of an anonymous tramp singing a two-line testimonial to his face, and turned it into one of the most gorgeous pieces I’ve ever heard, adding strings, brass and, later, Tom Waits to come up with 74 minutes of sweeping beauty, all built around the tramp’s sixteen words. Well-regarded Christian rock group Jars of Clay took those few lines and added their acoustic harmonies to bring the simple melody to a new generation. [Buy]

The Antlers – When You Sleep (My Bloody Valentine)
Influential though they are, My Bloody Valentine’s shoegaze noisescapes seem so idiosyncratic one wonders how anyone could translate them. Pickin’ on MBV: The Bluegrass Tribute seems a stretch. The Antlers get it right though, keeping the waves of reverb right up front. [Buy]

Bruce Springsteen – Dream Baby Dream (Suicide)
When Springsteen abruptly began closing his 2005 solo concerts with this obscure cover, fan reaction was understandably mixed. The song only has two lines, repeated over an over to an organ loop for as long as thirteen minutes. Hypnotic and haunting, Bruce probably just couldn’t get the melody out of his head, and neither will you. [Buy]

I’ve been to Bonnaroo two times, but somehow the traditional vibe hasn’t hit me; I still don’t like jam bands. In fact, I may be the only person alive who prefers the Grateful Dead as an album band. In the studio they’re forced to keep a certain focus lacking in the twenty-minute jam noodles they seem incapable of avoiding live. Album-wise, however, this and American Beauty are certified classics. A few songs on the latter annoy me (read: “Truckin’”), but every song on Workingman’s Dead gets my toes tapping.

Jammy Dead covers abound, making this potentially the easiest cover disc I’ve ever done. I tried to branch out a little bit though so, while there are a few jammy elements, there’s also a strong jazz-folk current running through this list. Spark one up and turn on, tune in, drop out.

Indigo Girls – Uncle John’s Band
The girls keep the folk harmony styling of the first, but make it bop and roll. This and the Zevon below come off a hit-or-miss Dead covers come called, moderately creatively, Deadicated. [Buy]

Henry Kaiser – High Time
Piano jazz brings out the heartache of this duet. I can’t figure out who the female vocalist is here, but if you like the sound check out Eternity Blue, his album of Dead covers. [Buy]

Stiff Dead Cat – Dire Wolf
A unique name for a band certainly, but somehow their sound fits. It’s ugly, raw, and going slightly sour. Some fast-paced bluesing here, they go so far as to drastically reinvent the chorus with a completely new cadence. Once you get the original out of your head, it works great. [Buy]

Catherine Russell – New Speedway Boogie
Another one for the female vocal fans out there, Russell’s take grooves and swings propelled by a bassline worth of Phil Lesh himself. Many artists here rely on the harmony stylings of the originals, but Catherine proves she needs no help by wrapping her voice around each word so soulfully you know anyone else would just distract. [Buy]

The Waybacks – Cumberland Blues
It would be insulting to Jerry and co. not to include a live take somewhere in here, so here’s one by a band that shares the Dead ethos of sharing concert recordings. The Waybacks acoustic-bluegrass jam this one out to thirteen minutes, but you can find many more covers of it at archive.org. [Buy]

Emory Joseph – Black Peter
Another tribute album worth getting, Fennario: Songs by Jerry Garcia and Robert Hunter, EJ plucks his acoustic along with periodic flourishes of drum, organ, or whatever else strikes his fancy. It gives the proceedings the ode of a funeral dirge, but slowly builds into celebratory gospel. [Buy]

Desert Rain – Easy Wind
Another live one here, it’s the rare imposition of an electric guitar in this set. The guitar makes up for it by distortion-soloing throughout the song, vying with vocals and harmonica for brash attention. [Buy]

Warren Zevon with David Lindley – Casey Jones
One of my favorite songwriters, Warren Zevon is no slouch at the art of the cover either. Here he keeps the spirit of the original intact while mixing some fun rock vibes. Nice to see Lindley here as well who, in a weird twist of fate, has spent a lot of time collaborating with the aforementioned Henry Kaiser. Catchiest song about a cocaine-addled train engineer headed to his doom ever! [Buy]

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