Jan 282009

Don’t know why I didn’t do this earlier. The White Stripes have been one of my favorite bands ever since I saw a video of them performing “Dead Leaves and the Dirty Ground” on MTV surrounded by inanely dancing candy cane “fans”(here it is). Since then I’ve seen them live four times, and hope they reunited this year for another go round. While we wait though, many others are keeping their tunes alive.

The Dynamics – Seven Nation Army
Turns out there’s a cover or two for this song – who knew? Hell, everyone from the Flaming Lips to Duran Duran has tried it on for size. None match the bossa-nova funk of this slow-groove though. [Buy]

Aluminium – Why Can’t You Be Nicer to Me?
Richard Russell, founder of XL Records, and Joey Talbot, British composer, came together in 2005 to record one of the greatest tribute albums I’ve ever heard, an all avant-garde orchestral series of mostly-obscure Stripes tunes. The String Quartet Tribute this ain’t. They touch all albums from their first to their most recent at the time, even taking on b-sides and soundtrack contributions along the way. Click this link and get this album now. [Buy]

Long Goners – Ball & Biscuit
Jack White’s blues-rock barnstormer brings it all back home with some indie slide-folk. Lead singer Bernadette Seacrest has clearly learned much from the Stripes, having the presence of mind not to change the genders in the song as is so common (see Joss Stone’s horrendous “Fell in Love with a Boy”). Would the Stripes’ “Jolene” have made sense with “please don’t take my…woman”? This one’s from a hit-or-miss tribute disc called Indie Translations of the White Stripes. [Buy]

Chris Thile – Dead Leaves and the Dirty Ground
This ex-Nickel Creek man brings his mandolin bluegrass and yelping falsetto to this fiddle and harmony-filled ditty. With such a rockin’ woodsy sound, a tune about leaves and dirt makes perfect sense. [Buy]

Nikka Costa – The Denial Twist
It was their third single from 2005’s Get Behind Me Satan and, many would argue, the most enduring (“My Doorbell” eventually got irritating). Costa’s version sounds similar to the swamp guitar original until the horns blast away all memory of the White siblings (read: exes) and Nikka’s wail forces its way to the front of the sound. [Buy]

The New York No Stars – The Big Three Killed My Baby
An appropriate song for this day and age, no doubt, as the big three are going down themselves. The original’s a classic Jack screecher, taken down here for some lounge-jazz that proves that the song does indeed have a melody. From yet another tribute album. [Buy]

Jack Johnson – My Doorbell
Johnson got a lot of blog attention for his twee cover of “We Are Going to Be Friends” on the Curious George soundtrack. It was bland and boring, sure, but not really objectionable; frankly, I would say the same is true for the original. A better tune, Johnson puts his laid-back pleasantness to, you know, chill use on this poppy confection, recorded for a radio show. [Buy]

Bree Sharp – We Are Going to be Friends
Like I said above, not a huge fan of this song. Many others are, however, and I can’t help remember with fondness its use in the opening of Napoleon Dynamite (video, in case you forgot). [Buy]

The Pistol Whippin’ Party Penguins – Hotel Yorba
It’s a live one, from the never-ending source of wonder that is archive.org. Sounds like a folk-bluegrass jam session, with lots of group singing and a fiddle solo! So, basically just like the original. [Buy]

Chan Marshall – I Want to Be the Boy
You probably know this little lady as Cat Power, and she’s been on a bit of a covers kick lately. She takes a break from her beloved vintage soul at a live show in ’03, interspersing it with typically self-effacing remarks about no one singing along. Only problem here: she does change the gender. And stops it early, which is a shame. Grr… [Buy]

–Edit: Lots of posts disappearing from blogger. I’m reposting this one with links since it was so recent, but the others will be sadly link-less.–

An exciting day tomorrow. I don’t even remember what it’s like to have a government I trust, so it’ll be nice to see old G-Dubs head back to Crawford. Here’s hoping that Obama and co. can get this country back on the road to peace, justice, and compassion.

Elliott Murphy – Better Days (Bruce Springsteen)
One of Springsteen’s better songs from his stagnant period with the “Other Band” in the early 90’s. He often joked that after decades of songs about the down-and-out, when he finally wrote some happy songs, everyone turned away. Sounds like he’s back to positivity with next week’s Working On a Dream though. We’ll see how that pans out. [Buy]

Sanctus Real – Beautiful Day (U2)
U2’s Christian roots are widely known, though one would be amiss to call them “Christian rock.” In fact, most Christian radio stations will play covers of U2 songs, but not the originals. In that case, they might play this one, from an all-Christian rock cover disc to U2 released for charity. Sanctus Real crunchifies this recent cut, keeping it just stadium-ready enough at the chorus. [Buy]

Ellen McIlwaine – Higher Ground (Stevie Wonder)
The third in our string of Inaugural performers is the most relevant; this is actually the song Wonder chose to perform yesterday with Usher and Shakira (video). Originally a classic soul stomp, McIlwaine’s funky blues guitar takes it a completely different direction. [Buy]

Pearl Jam – People Have the Power (Patti Smith)
It’s a popular song for the politically-conscious artist to take on, be it Bruce Springsteen or U2. At a live show in ’03 Eddie Vedder propelled the band through this grunge-rock growl of an anthem. You can see him perform it with Smith herself here. [Buy]

Status Quo – Getting Better (The Beatles)
A cut from Sgt. Pepper’s getting even more orchestral and layered? Not possible you say? The Quo is here to tell you different. With strings, horns, and glockenspiel, the sound matches the optimism. [Buy]

Doyle Bramhall – I Can See Clearly Now (Johnny Nash)
It’s a hell of a song, but most versions of this soul classic sound about the same. Not true of Bramhall’s blues rocker, copious guitar work embellishing the joy in his voice. [Buy]

Cold War Kids – A Change Is Gonna Come (Sam Cooke)
It’s a live one, from a set at Bonnaroo ’07 at which they also covered the much more pessimistic “Dirt in the Ground” by Tom Waits. This one’s been cited a lot recently, first in Obama’s Grant Park acceptance speech in which he said “It’s been a long time coming, but tonight, because of what we did on this date in this election at this defining moment change has come to America.” [Buy]

Barb Jungr – Things Have Changed (Bob Dylan)
Jungr’s a perennial Dylan cover artist, bringing a dark cabaret to Bob’s Oscar-winning theme for Wonderboys, arguably the best song he’s written in the last twenty years. [Buy]

Floyd Dixon – Blue Skies (Tom Waits)
Nope, this isn’t the Irving Berlin song of the same name (though that would have been a good choice too), but a very early Waits songs that he never saw fit to put on an album. A shame, because this tale of moving beyond hardship is beautiful. The guys knows he has a long way to go to be happy again, but he’s willing to try. It’s a good metaphor for America these days actually. [Buy]

Bob Dylan – This Land Is Your Land (Woody Guthrie)
Pete Seeger and Springsteen sang this one at the Inauguration concert and, fun as that was, it didn’t reinvent the song like Bob did at a 1963 show. Toying with the melody as is his wont, Dylan doesn’t let reverence to his idol interfere with a fresh interpretation. Woody would have been proud. [Buy]

Jan 142009

–Edit: Reposted, with the offending link removed.–

Didn’t best of 2008 lists get played out in, oh, 2008? Yes. I even already had a post on the best covers of the year. So what is this? Well, I get a kick out of year-end lists, so I really enjoyed seeing the Hype Machine compile hundreds of them into one master list of the fifty most highly-rated albums on the blogosphere. You can read it most easily here, though there aren’t too many surprises. Regardless, I though I’d throw up all the covers I had of songs from these albums. In true year-end list fashion, they’re in descending order.

Laura Barrett – Gamma Ray (Beck, Modern Guilt)
I’ll be honest: I like Beck, loathed this album. I only even made it throw once, it just seemed like experimental mush that took me nowhere. Luckily, Barrett heard something I didn’t, as her twee karimba (wikipedia it) cover gives it a fuzzy cuteness that the grunge-synth of the original obliterated. [Buy]

Friendly Fires – I’m Good I’m Gone (Lykke Li, Youth Novels)
Count me out of the Lykke Li obsession too. From the first time I saw her spastically gyrating on Conan, I knew this strange Swede was not for me. Friendly Fires strips away the irritating production enough to make it more tolerable, though it sneaks in towards the end. [Buy]

Holy Fuck – Balloons (Foals, Antidotes)
I haven’t actually heard the original here, but this unfortunately-named band’s electronica take slowly draws you in, taking it sweet time to add layer to layer. [Buy]

Mason Proper – Get Innocuous/Love Lockdown (LCD Soundsystem/Kanye West, 808s and Heartbreak)
Brilliant. Mason Proper takes the bass line and lyrics from the Kanye hit and throws in some LCD production for a take that may just eclipse the slow-burn original. A point in Proper’s favor: no AutoTune. [Buy]

Ola Podrida – Calling and Not Calling My Ex (Okkervil River, The Stand Ins)
Having a go at another album that passed me by, Podrida brings out a sweet indie melody that stands on its own so well I’m having trouble imagining the original. [Buy]

Noah23 – Canadian Dollars (A Milli) (Lil’ Wayne, Tha Carter III)
Though not as blog-worthy as when ?uestlove held down the a milli’s with Jimmy-Fallon-houseband The Roots (video), Noah23 challenges Weezy by throwing down his own verses instead of Wayne’s. It’s a hip-hop cover of a hip-hop song, but one completely different. [Buy]

The Kooks – Violet Hill (Coldplay, Viva La Vida or Death and All His Friends)
A live acoustic take for the BBC, this cover-loving indie group strips back the Brian Eno production to focus on the herky-jerky melody and falsetto-swoon chorus. A song everyone got sick of long ago gets some welcome new life. [Buy]

Roommate – Lights Out (Santogold, Santogold)
The slow pulse oozes sex on this come-on cover that makes you want to be more than just Roommates. [Buy]

Radiohead – The Rip (Portishead, Third)
Frankly, I didn’t see the hype about this album, but Thom Yorke’s plucking makes this one sound like an acoustic In Rainbows outtake. The original ‘Head gets good…head…from another ‘Head. Now if only Motörhead gets on board, the trinity will be complete. [Buy]

David Porteous – Electric Feel (MGMT, Oracular Spectacular)
David makes a bold stance here, replacing the psych-techno throb of MGMT with some crunchy blues guitar. Crunchy solo blues guitar. There’s no way this should work, but it’s fantastic. [Buy]

Hot Chip and Peter Gabriel – Cape Cod Kwassa Kwassa (Vampire Weekend, Vampire Weekend)
It’s clear Gabriel hasn’t lost his sense of humor, choosing to be involved in this cover presumably for the sole reason that it name checks him. A lot. Sure, it’s an excellent cover in its own right, but nothing can top the moment where he sings, “And it feels so unnatural to sing your own name.” Tell that to Lil’ Wayne. [Buy]

First Aid Kit – Tiger Mountain Peasant Song (Fleet Foxes, Fleet Foxes)
The Kit accomplishes the shocking feat of stripping a Fleet Foxes song back even more than the original, leaving little more that a delicately strummed guitar to contend with the female duet that adds a vocal oomph to the proceedings. [Buy]

Jan 092009

The Who were just given the Kennedy Center honors a few weeks back (along with, blech, Barbara Streisand), so why not honor their best album with nine solid covers. Quality over quantity today. Incidentally, I’m starting to run out of ideas for classic albums for which I could find covers of any songs, so any suggestions? Post ‘em in the comments.

Blue Man Group – Baba O’Riley
From the moment the opening riff starts here, it all makes sense. This one was made for the boys in blue. Known primarily for their stage show, the Group has produced several fantastic albums. This comes from the tour they did promoting one, which you can find on How to Be a Megastar Live. Anyone know who’s singing? [Buy]

Sherie Rene Scott – Bargain
It swings, it jumps, it blare, it blasts. A horn-fueled rave-up that has even more energy than the first, Scott isn’t afraid to let it rip on this big band dance number. [Buy]

Out of Place – Love Ain’t for Keeping
This adult-contemporary world sound has a vaguely elevator music feel, but it works with this slow dirge and the crooning vocals and last-minute violin solo keep things beautiful. If you like the sound, they did all these tunes on their unoriginally-titled Who’s Next 2002. [Buy]

Taildragger – My Wife
Grungey and furious, the drummer does his best Keith Moon while the rest of the band sounds like the band in your neighbor’s garage. Best played loud. [Buy]

Stewart Bozarth – The Song Is Over
Solo piano covers always seem a safe route, but Bozarth’s playing doesn’t hold back, hitting all the tricky riffs without missing a note. [Buy]

Kim Virant – Getting In Tune
Another softy here, Virant gives it just the right subtle touch with her piano until the guitar blasts it away. Listen close for some bass lines that would make Entwistle proud. [Buy]

fIREHOSE – Going Mobile
Though they existed at the same time, these guys are not to be confused with FireHouse, who had several minor hits in the early 90’s (the strange capitalization gives it away). Regardless, they’re nice enough to let their concerts be shared on archive.org, and this tune comes a seven-song set they did of Who covers in 1989, including relative obscurities like Helpless Dancer and Naked Eye. [Download]

Limp Bizkit – Behind Blue Eyes
I haven’t been this blown away by a cover in a long time. And that isn’t because this cover is amazingly good; it’s because it’s somewhat good. I mean, this is the same Limp Bizkit that brought the world “Nookie” and “Break Stuff,” right? The same Limp Bizkit that brutalized our ears with the worst cover of “My Way” the world has ever seen? Well, I don’t know what happened here, because the backing is acoustic and subtle while Fred Durst emotes, dare I say it, beautifully. There’s a weird electronic break in the middle where they spell the band’s name, but even that somehow makes sense! Then, just when I was starting to wrap my mind around the song, I found the music video that features Durst making out with Halle Berry. What is going on?? [Buy]

Tony Furtado – Won’t Get Fooled Again
We first heard Tony a few months back with his terrific “Fortunate Son,” and this folksy banjo master is an Americana covers wizard. He brings it all back home with just some subtle acoustics that get to the heart of the song without all the masturbatory guitar. [Buy]

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