Apr 292016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

korgis

The Korgis really were an extraordinary group. With a name derived from the name of ubiquitous ’80s synthesizer makers Korg, they evolved out of the eccentric and often unclassifiable ’70s UK band Stackridge, at a time when fashion demanded shorter and hookier songs, shorter hair, skinny ties, and shiny suits, i.e. the ’80s. Stackridge were resolutely unfashionable and nominally prog, although their music could be an odd amalgam of twiddly instrumentals, folk, psychedelia and music hall. Their instrumentation could include anything from flutes and fiddles to dustbin lids, and bear tribute to the days when record companies had money to invest in the sometimes vainglorious pursuit of a hit, allowing a band to mature over several albums, rather than today’s one strike and you’re out.
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Apr 292016
 
landofleland2016edit

We’ve been Land of Leland fans for a while now – back in 2011 Cover Me readers commissioned him to cover Fleetwood Mac’s “Everywhere,” and then earlier this year we premiered his new Whitney Houston cover. Thankfully, we didn’t have to wait another five years for a follow-up, as he’s recently posted a cover of Björk’s “Unravel” to his Bandcamp. Continue reading »

Apr 282016
 
JohnFullbright

When folks have paid tribute to Merle Haggard recently, they’ve mostly picked the obvious songs: “Mama Tried” and “Okie From Muskogee.” But Grammy-nomined singer-songwriter John Fullbright – an actual Okie, unlike Merle – dug far deeper into the catalog, for the best Haggard cover yet. It’s an obscure song called “Sometimes I Dream,” from Haggard’s 1990 album Blue Jungle. How many people know Haggard albums from the ’90s? Continue reading »

Apr 282016
 
national-feature

The Grateful Dead – the iconic (nay, legendary) Palo Alto ensemble whose longevity, sheer number of live performances, eclectic and improvisational musical styles, as well as religious fanbase cemented them as one of the most influential and groundbreaking groups of rock and roll history – will be honored this May in an upcoming epic homage titled Day of the Dead.

As one of our own feature writers, Jordan Becker, so elegantly put in his In the Spotlight segment: “The Dead were not only a band; they typified a lifestyle that extended the hippie culture of the 1960s decades after most of the world turned it into a punchline.” Dubbed the “pioneering Godfathers of the jam band world,” their legacy lingers on, and with contributions from an overwhelming number of some of the music industry’s most respected names today, their music will be celebrated. Continue reading »

Apr 272016
 
TheLandBelow_Mohavemedia03

Last year, Alanis Morissette’s monster album Jagged Little Pill celebrated its 20th birthday and, as happens on such occasions, got its own big box set. For an even better tribute, though, check out The Land Below’s new cover of one of the album’s hit single, “Hand in My Pocket.” Over low synth drones and a slow crescendo, Sweden’s Erik Lindestad sings the haunting melody at about half the speed of the original. For even those of us who were not Alanis fans the first time around, this cover is revelatory. Continue reading »

Apr 272016
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

As you know, Prince unexpectedly passed away last week. As you may also know, in the last decade or so before he passed, he had a contentious relationship with cover songs. He was famously litigious about getting covers of his songs pulled off blogs and YouTube, and regularly questioned in interviews whether an artist should be allowed to cover another artist’s song without getting the original artist’s permissions. We even wrote a defense of covers to Prince five years to the day before his death (spooky). We loved Prince, but Prince didn’t necessarily love us – or anyone else who recorded or shared covers of his songs.

So today’s staff/reader question arises from that same debate, what specific cover might be the one to convince Prince that covers of his songs were a good thing. Our picks are below, add your own in the comments.

Today’s Question: If you could have introduced Prince to a Prince cover, what would it be?

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