Brandi Carlile releases her fifth album The Firewatcher’s Daughter this week, and after 11 original tracks, she closes with a cover of The Avett Brothers‘ “Murder in the City.” She first performed the track live last October on the day the Supreme Court temporarily blocked several states’ same-sex marriage bans. Carlile, who identifies as a lesbian and has a wife and young daughter, made several key lyric changes. Where the original’s final verse mentions sisters and mothers, Carlile sings:
A little over a week ago, we heard a preview of the Father/Daughter release Faux Real II compilation that was originally supposed to come out for Record Store Day 2015 with LVL UP’s take on “Somebody Kill Me” from the Wedding Singer. Today, we bring you more late 90s/early 2000s nostalgia with Krill’s take on the “Billy Madison Victory Song.”
Alice Boman offers a fresh rendition of “Reason To Believe”, a 1965 folk song by Tim Hardin. The song’s lyrics about heartbreak seem to speak to many, with renditions by great artists including Glen Campbell, Billie Bragg, Rickie Lee Jones, Johnny Cash, and most prominently, Rod Stewart who put the song on the US Billboard Hot 100 list in 1993.
Randy Newman, two-time Academy Award winner, has a distinct voice that triggers memories of the movies, given his widely popular film scores over the years. His song “Sail Away” had previously been covered by Ray Charles, whom Randy called his biggest musical influence growing up. Matthew E. White covered the song for the French video series, La Blogotheque, which follows artists making live music in different locales around Paris.
One thing that diehard Dylanologists and he-can’t-sing haters can usually agree about Bob Dylan: his music videos are mostly lousy. From his terrible lip-syncing in “Jokerman” to Scarlett Johansson portraying an Instagram filter in “When the Deal Goes Down,” there’s not a lot to love. More recently, though, he’s been on a hot streak (or at least a reasonably warm one). “Must Be Santa” was goofy, bewigged fun, and he amps up the kitsch even more in his new video for Frank Sinatra cover “The Night We Called It A Day.”
Tender, haunting and undeniably impressive – enigmatic duo Louise Millar and Michael Macias take on Kanye West‘s 2005 smash-hit “Gold Digger” and reinterpret it with their own seductive, downtempo spin.
It’s hard to believe it’s been 10 years since the racy tune featuring Jamie Foxx was first released, sweeping us all up in a Kanye-induced dance craze, but a decade later, Twin Duo still manage to find a way to reinvent it. The Sydney-based pair rework Yeezy’s classic radio hit with chilling grace, expertly weaving their way through the song and stripping it down to a gentle and minimalistic rework – ultimately transforming the once raunchy and vigorously executed “Gold Digger” into a heart-wrenching, moody serenade, rich with mellow synths and chilled vibes.