Unless you are a fan of his band Screamin’ Cheetah Wheelies back in the day, you might not know the name, Mike Farris. A Grammy winner in the Gospel category for his 2014 album Shine For All The People, Farris takes a more secular approach on his latest record, Silver & Stone. Full of soulful songs in the mold of Aretha Franklin, Al Green, and St. Paul and the Broken Bones’ Paul Janeway, the album includes a couple of top-notch cover songs including a version of Sam Cooke’s “I’ll Be Coming Running Back To You.”
Willie Nelson’s latest album My Way is billed is as a tribute to Frank Sinatra. But it’s really just another chapter in Nelson’s retelling of the Great American Songbook. It features Nelson’s signature dude ranch cabaret sound that he’s perfected over the course of the last four decades, starting with the 1978 classic Stardust.
Throughout My Way, whether he’s backed by a large orchestra or small jazz combo, Nelson has the uncanny ability to make the tracks his own. There’s his instantly recognizable voice, which still sounds impeccable. He infuses the lush arrangements with heavy amounts of harmonica. While Nelson does not break any new musical ground, listening to the record is a bit like hanging out with an old friend, or at the very least, with a familiar (red-headed) stranger.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Well Marianne it’s come to this time when we are really so old and our bodies are falling apart and I think I will follow you very soon. Know that I am so close behind you that if you stretch out your hand, I think you can reach mine.
And you know that I’ve always loved you for your beauty and your wisdom, but I don’t need to say anything more about that because you know all about that. But now, I just want to wish you a very good journey. Goodbye old friend. Endless love, see you down the road.
As we saw when we did a deep dive into his live covers, Tom Waits occasionally dips into some material that seems mildly unexpected – until you hear him sing it, when it makes perfect sense. That’s certainly true on his first recording in two years, a guest vocal on former guitarist Marc Ribot’s new album. The song is a cover of “Bella Ciao,” an Italian protest song that became a 1940s anthem in the fight against Mussolini and the fascists. Timely much?
“I played Tom a bunch of the tunes and he immediately bonded with that one,” Ribot said in the press release. “Of course, he brings a certain gravitas to everything he does – my Italian friends say he sounds exactly like an old ‘partigiano’ (resistance fighter)!”
Music of the mid-1990’s can get stuck between “oldies” and “contemporary,” but few chosen hits from that period remain timely and relevant to life in the present tense. “Zombie” by The Cranberries is one of them.
This catchy, nod-your-head tune is a message of protest against war and violence. It’s hard to recreate the ache and irony in Dolores O’Rordian’s voice without coming off downright angry and dark, like this heavy metal style cover by Leo & Stine Moracchioli. But a Haitian Creole singer Dawn Richard (known as DAWN) delivers a light and fresh take on the song in her new cover.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
It’s been a while since the Airborne Toxic Event has raised its collective voice. They’ve made many hints about an upcoming album, but no soap radio. They’ve played just half a dozen gigs in the last two and a half years. Founder Mikel Jollett keeps up a steady stream on his Twitter page, but the band’s tweets have slowed to a trickle. Last month they did note the tenth anniversary of the release of their debut album, which prompted one reader to ask if they’d ever release any new music. “Yes,” came the response, but with no elaboration. It’s enough to give the heebie jeebie jitters to the band’s sizable cult, who want to know what they’re going to do next and when they’re going to do it… if at all.